Biography of Moliere Wikipedia

Will leave in the coming centuries! First of all, he dedicated the “school” to the wife of his patron, the king’s brother, - Princess Henriett English, and in this dedication, as usual, poured a whole duck of flattery on the princess. This work was addressed like this: “The glorious of all the kings of the world, Louis XIV” - and completely concerned Tartuf. The venerable cure was a temperamental man and expressed quite clearly.

In his opinion, Moliere is by no means a man, but a demon, only clothed in the flesh and dressed in a human dress. And in view of the one, Pierre Roulet believed that the hellish fire was still completely provided with Moliere, it should be the meaning of Moliere, without waiting for this hellish fire, to burn in front of the whole people along with the Tartuf. When a fraudster Tartuf, aka Panulf, had already triumphed and ruined honest people and when, it seemed, there was no salvation from him, after all, salvation came, and, of course, it was from the king.

A virtuous police officer, who fell from the sky, not only at the most desired and last moment grasps the villain, but also says an impressive monologue, from which it is clear that while the king exists, honest people have nothing to worry about and no scammers escape from under the Orlin's royal look. Glory to the police officer and glory to the king! Without them, I strongly do not know what Mr.

de Moliere would untie his Tartuf. As well as I don’t know what, after a hundred and seventy years, about a distant and cold homeland, another sick satirist would unleashed his rather famous play “The Examiner”, would not go on time from St. Petersburg with a horse tail on his head. I can say with confidence that if I managed to explain to the venerable midwife, who exactly she accepts, it is possible that from excitement she would cause any harm to the baby, and with France at the same time.

Do not forget that it was born earlier. The death of this baby would mean a severe loss for your country! Madam Poklen will give birth to another. Understand that after three centuries, in a distant country, I will recall you only because you were holding the son of Mr. in your hands. This baby will become better known than the now reigning king of Louis XIII, he will become more famous than the next king, and this king, the ruling, will call Louis the Great or the Sun King!

A kind lady, there is a wild country, you do not know it, this is Muscovy, a cold and terrible country. There is no education in it, and it is inhabited by barbarians, speaking in a strange language for your ear. So, even the words of the one you are accepting now will soon penetrate this country. I could call you dozens of writers translated into foreign languages, while they do not even deserve that they are printed in their native language.

But this will not only be translated, it will be possible to compose plays about him, and some of your compatriots will write dozens of them. Such plays will be written by the Italians, and among them-Carlo Goldoni, who, as they said, was born in the applause of muses, and Russians. Not only in your country, but also in other countries they will compose imitations of his plays and write alterations of these plays.

Scientists of various countries will write detailed studies of his works and step by step will try to trace his mysterious life. They will prove to you that this person, who is now in your hands, gives only weak signs of life, will affect many writers of future centuries, including those unknown to you, but known to me, as my compatriots, my Griboedov, Pushkin and Gogol.

That's what is interesting to me! That's what a person will develop from this baby! Who writes more touching than ladies? Unless other men: Russian author Vladimir Rafailovich Zotov will give an equally sensitive finale [5]. He wants to see Moliere. What is with you? And the prince, running towards Louis, exclaims: - Sovereign! Moliere died! What can be objected against the latest words?

Yes, indeed, a person who has been living for the fourth century is undoubtedly immortal. But the whole question is, did the king recognize this? In the opera of the "Aretuz", composed by Mr. Cambra, it was announced like this: - The gods rule the sky, and Louis - the earth! Anyone who ruled the Earth, hats to anyone, except in front of the ladies, had never shot and would have come to the dying Moliere.

And he really did not come, as he did not come and no prince. Anyone who ruled the Earth considered himself immortal, but in this, I believe, he was mistaken. He was mortal, like everyone else, and therefore is blind. If he hadn’t been blind, he might have come to the dying man, because in the future he would see interesting things and, perhaps, would like to join the actual immortality.

Chapter 8 [edit] Madlana Bezhar. The captivating actress did not leave the director in Paris and her lover in Paris in difficult times. She did not try to go to the theater in a swamp or in the burgoonsky hotel and did not make more cunning plans about how to attract on the network and marry her old lover, Count de Moden.She was a faithful and strong woman, but they know that all!

At first, nomads had extremely difficult. It happened that I had to sleep on hays, and play in the villages in sheds, hanging some dirty rags instead of the curtain. Sometimes, however, they fell into rich castles, and if the noble owner, out of boredom, expressed a desire to see the comedians, the dirty and smelling of the later then the actors of Moliere played the reception rooms.

Arriving in new places, first of all, knowing their price, they respectfully removed the huts and went to the local authorities to ask permission to play for the people. Local authorities, as they were supposed, treated the comedians badly, boldly and repaired them meaningless obstacles. The actors stated that they want to imagine the tragedy of the most venerable Mr.

Cornell in verses ... I do not think that the local authorities understand at least something in the verses of Cornel. Nevertheless, they demanded these verses to pre -watch. And after looking at, it was forbidden to have a presentation. Moreover, the motivation for the prohibitions were diverse. This is what is this: - Our people are poor, and he has nothing to spend money on your ideas!

There were mysterious answers: - We are afraid, no matter what happened thanks to your ideas! There were comforting answers. Everything happened in this vague life! The clergy everywhere grew up evenly unkind. Then I had to go to cunning tricks, for example, offer the first fee in favor of the monastery or for the needs of charity. In this way, it was often possible to save the performance.

Arriving in some town, they were looking first of all to a gambling house or a barn for playing a ball that beloved by the French. Having conspired with the owner, they burned out the scene, put on miserable costumes and played. We spent the night in inns, sometimes in two on the same bed. So walked and walked, making loops in France. One of the 17th century thinkers said that actors more than anything else love the monarchy.

It seems to me that he put it like that because he did not think out the question. It would be more correct to say that actors love all power before passion. Yes, they can not love her! Only with strong, strong and monetary power is the prosperity of theatrical art is possible. I could give this a lot of examples and do not do this only because it is already clear.

So, the leader of the vagabond troupe played tragic roles in other people's tragedies, and acted as a comedian in his faras. Here one circumstance was discovered, which struck our comedian to the core: in tragic roles, he had an average success at best, and in the worst - it fell completely, and with sorrows I must say that this worst case was a naked case. Not only leap-in were thrown apples into the poor tragic, who performed with the crown of some tragic high-ranking hero on his head.

But only after the tragedy they gave a farce and Moliere, changing clothes, it turned from Caesar into Sganalele, the case changed at the same moment: the audience began to laugh, the audience applauded, applauded, the townspeople carried money to the next performances. Drinking after the performance or taking off the mask, Moliere, stuttering, said in the restroom: - What is the people, if he was cursed three times!

.. I don’t understand ... Is Cornel's plays bad plays? But the nobles! .. After all, there are educated people among them! I don't understand how you can laugh at this Galica! I personally would never smile even! We will feed them with farms! Chapter 12 [edit] no matter what they say there, but the bishop, who believed that the comedians were found with the devil, was still right.

But then they always risk the fact that their patron will laugh at them. And for sure, the devil continued to keep Mr. de Moliere in blindness. On the second of November, Moliere opened performances in the Small Bourbon is still not a comedy, but by the Hercules tragedy. In this manner, Moliere began to work from the very beginning and this manner began to train his comedians.

So what's the matter? It would seem that Moliere had to defeat and that his system was supposed to attract the hearts of the audience. Unfortunately no. Moliere applied his system primarily in the tragedy, and he did not have any data for the performance of tragic roles: he did not have a temperament or voice for them. Therefore, he knew well to know how to fulfill the tragedy, but performed it poorly.

As for his comrades, there were many among them who had good tragic data, but the Moliere system itself was still so young that it could not conquer the audience right away. Parisians of that time wanted to see powerful heroes in armor, heroes of loud, and not such modest people as Parisians themselves were in life. Here is the reason for the failures of the tragedies in the Moliere Theater.

First of all, they spoke that the playwright Moliere shamelessly uses the works of Italian authors to borrow them.Over time, to indicate the theft of Moliere has come into fashion that if it was impossible to say with confidence where and what exactly he borrowed, they said that he ... "apparently" borrowed.