Biography of Dzhambula Dzhabaev

Born in the family of a nomadic poor. From a young age he sang under the Dombra and told all kinds of fairy tales, the epic “Consor-Batyr”, “Suranshi-Batyr”, legends, knew a lot of proverbs, poetic edifications. The art of improvisation studied with the lime Akyn Suyumbai. The favorite genre of Akyn was songs, mainly revealing. The rich-bai, volost managers, aul foremen were condemned in them for stinginess, arrogance, bribes, judges, idleness “About Manka”, “Mambeta”, “Shaltabay”, “To Kali”, “Syata” and others.

The central place in the pre-revolutionary work of Dzhambula occupied Aytys, the poetic dispute of the akyls. After the victory over Akyn Kulmambet in the city of these victories glorified him at all Semirechye. Glory overtook him in Kyrgyzstan, where, according to the custom of Akynov, traveling through the auls, he visited several times. In Aytysa, as in exposing songs, he defended the interests of the people and condemned the Kazakh nobility, tsarist officials.

From the works of the pre -October period, we have come up with an oral program of Akyn himself and his students several dozen song improvisations: “complaint” by “step”, “Akynu Zhanis“ Zhany Akyling ”,“ pursuit ”“ Kugyn ”,“ The share of the poor ”“ Kedei Kuii ”,“ Black Decree ”“ Zildi Buyryk ”,“ Black Decree ”,“ Black Decree ”, "Song of an angry heart", "Bai Kadyrbay dog" and others.

The options for the epics “Suranshi-Batyr” and “Utegen-Batyr”, “Khan and Akyn”, “The Tale of Lazy”, Aytysa, etc., also reached the improvisational art of Jambul, was closely connected with modernity: the life and images of the Kazakh people prompted him the themes and images. 70 years have passed in Dzhabaev. The revolution gave him new creative forces. His songs have grown into the new life of the Kazakh village.

The collective farmers of Karakastek, the same -alumes heard D. Dzhabaev’s songs during harvesting, on summer pastures. Akyn sang at meetings and rallies. His poetic word sounded invitingly. The works of D. Dzhabaev were translated by P. Kuznetsov, K. Altai, M. Tarlovsky and others. Collections of Akyn’s poems came out. His songs received all -Union recognition. He visited Moscow, made a trip to the Caucasus.

The wide ways of creativity and activity opened in front of him. In the spring he was awarded the USSR State Prize for a well -known poetic work. Dzhabaev responded to all significant events of the country's political, economic and cultural life: non -stop flights, the opening of new schools, a century since the death of A. Pushkin, the congress of livestock breeders, etc. During the Great Patriotic War, D.

Dzhabaev helped his talent with the struggle of the Soviet people with fascist invaders. The songs called for the defense of his homeland, expressing confidence in the victory: “Moscow”, “Leningraders, my children! The images of the Communist Party, the image of the Soviet people and Akyn himself - the people's servant and the singer - stand in the songs of Jambul Dzhabaev, they are epic, highly eagle, and are distinguished by the art of great artistic generalization.

But Akyn has a work where, under the influence of the cult of the personality, he exorbitantly exalted I. Song -making D. Dzhabaev is distinguished by a variety of forms and genres. Here are the traditions of Tolga's thoughts, the poetic appeals of Arnauli, the songs of Glory Mactau, songs mourning the departed Joktau. All of them are imbued with great social content, a new system of feelings of the Soviet man.

Akyn also created new genre forms after him are developing Kazakh acyns - poetic speeches, song performances from the stands, which are a variety of impromptu song appeals to the people. Combining oral forms with literary, he developed his new poetic manner. It is distinguished by psychological saturation, concreteness and realism of the image of social life and nature, sincere and epic simplicity of narration.

So, in the “Tague Song” “Dastarkhan Zhira” he calls the Kremlin the hearth of the homeland, referring to the hearth, usually arranged in the center of the yurt; Kazakhstan, who has become the Union Republic, the poet calls the “Otau”-Yurt of the newlyweds, the newly formed family, etc. Jabaev updates the oral-poetic tradition, turns to the experience of written literature, and goes to socialist realism.

His poem “My Life” is a large step forward in the development of Kazakh, epic. It gives realistic pictures of two eras of the life of Kazakhs. D. Jabaev did not live for six months until his century. He is buried in his native village, and the mausoleum was erected on his grave.

His house was turned into a literary and memorial museum now in the village of Zhambyl Zhambyl district of the Almaty region. The city of Auli-Ata, the center of the Dzhambul region of Kazakhstan, also named after Akyn was named after D. Dzhabaeva. His songs and poems are translated into almost all languages ​​of the peoples of the USSR. Akyna is known and loved abroad.

His songs are read in China, Czechoslovakia, Bulgaria, Spain - in 26 countries of all continents. Source: Brief Literary Encyclopedia: in 9 tons.