Eric MarienThal biography

The concert was supported by the American embassy in the October Palace. In the first two compositions, Maestro Fokin, who came out with the synthesizer at the ready, and then left the scene until the finale, participated. Its orchestra always sounds very assertive, powerful, clean, verified, filling the entire sound vertical with a thick even timbral color. True, I would like more dynamic diversity, subtleties, plasticity, a rare quiet oasis that it is more difficult to play with piano with foul pressure.

In the orchestral section, some of the compositions were figuratively repeated, and the block could be squeezed for minutes on Eric Mariental Alt-Saxophone and Valery Shcheryni Pipe. Photo by A. Zubko will be happy to say that all participants in the team in which representatives of three generations work - from very young, twenty -year -olds, to experienced veterans, as Honored Artist of Belarus Trubach Valery Shcherynia - master.

Both vocalists who performed several hits sang perfectly: the debutant Ira Kostina and the experienced Olga NECA. But the very young alt-saxophonist Yevgeny Afanasenko and the brush was especially good. The audience was attended by violinist Bogodar. High officials answered several non -political questions: - Yuri Ivanovich, please tell us why you came to the concert today?

I switch to Ukrainian. And our one is appropriate for you?

Then the concert continued, and when Eric literally flew out onto the stage and began to play, smiling, dancing and easily moving all over the advance, I first even flashed the feeling that he was playing under the backing track, his alt-saxophone sounded so lighter and brilliantly. I repent, the demon was bewildered, nothing like this simply could be! It’s just that his amazing professionalism and artistry at first even caused the illusion of the phonogram.

A huge range, very difficult, interesting, and at the same time affordable substantive component of improvisations, excellent contact and ensemble with steaging bend, and, very importantly, the ability to be very pleasant, attractive, cordial and sweet on the stage, by the way and outside it, created an increasingly growing atmosphere of the second compartment.

I would like to say that even the appearance of the soloist and all the participants in the concert - the elegant costumes of our orchestra, the toilets of the singers pleased the eye. Toward the end of the performance, Mariental changed the instrument, leaving with sopra-saxophone. The Saxophonist’s block included his author’s compositions and topics from the radioobend repertoire.

In his own music, he was more interesting, although throughout the entire performance of the master there was a high intensity, high -quality level and real show. What cannot be said about the stage image of our team, which began the program somewhat clamped, at least externally, and walking around only as the accompanist, which, alas, is the property of many of our performers, who often play well, but have little possessing the manner of attractive on the stage.

Olga Kizlova takes an interview with Eric Marental. The photo of Alexander Zubko can say the same about the performance of the orchestra Mark Reznitsky on the elerance play perfectly, but they look, sorry, as at the funeral. By the way, our masters as Bogodar who are many, who are in the West, quite possess this by a much simpler art. I recall that the combination of verification and artistry was felt in the Kyiv concerts of the Mutshpil brothers, Jordan.

It is always present in the performances of our Mansound and Enver Izmailov. In their last concerts - the presentations of the Christmas album of the sextet and the performance of Izmailov, the gut was felt complete contact with the hall, feedback, and jokes and even dressings helped a lot in creating the atmosphere of the show. Behind the scenes to my questions, Eric replied that he was engaged in at least two hours individually to maintain a form daily and loves classical music very much.

Well, his high performing culture is confirmation of this.