Chakhkiev Kapiton biography

Study I our pride, honor and glory of our literature! I am in great duty to this name. After all, you can tell so much about him, and so little is written about him. He "began early, finished early." Thirty -five years in our long -term age is too little for the writer. Kapiton Chakhkiev remained behind not a “literary inheritance”, but a whole li-therapy in a wide variety of genres and species.

There will be time, I will tell readers about him in detail and in circumstances. In the meantime, only fugitive notes about the life and work of this wonderful writer. II of those some of the poems that the first Ingush poet Tembot Bekov wrote, there are the first cries of the newborn. There is still no definite meaning in them; The desires so diligently expressed by them are too primitive and vague; But by these first insignificant screams, we learn that a living essence was born, which will grow over time, ripen.

The work of Akhmet Oziev, Haji-Bikar Mutaliev and Ham-Zata Osmiev are articulate speech normally and harmoniously developing childhood, which is surprising everything, responds to everything available to him-his hands, loud glee, carefree laugh, causeless crying-and urgently tries to cause people to respond to their feelings and experiences. Dzhemaldin Yandiev’s poetry is already teenage peri-one in Ingush literature: the first attempts to independently dispose of the phenomena of life, indefatigable gusts for exalted ideals, claims to active participation in life, extraordinary joy and pride in the successful outcome of the case and a bitter times-ohchasting if failure.

Finally, the works of Capiton Chakhkiev are presenting the youthful time in the Ingush literature. Physical and spiritual forces reach such a stage of development that cute, but unearthly ideals give way to real, based on really desires; Beliefs and concepts are not accepted by thoughtlessness, but are subjected to a doubt and verification of their truth, insolvent of them are ruthlessly discarded, and those convictions and concepts that have vitality and resistance are firmly made and become the spiritual code; Soberly, with the capacity of capabilities and needs, the issue of a place in life is resolved-in a word, a real independent life begins.

All this, of course, conditionally and only approximately reflects the true state of affairs. Ingush literature is far from exhausted by named names. I gave these examples only for clarity. The III is difficult and thorny was the life path of Kapiton Chakhkiev, its instructive creative biography is also interesting. Really readers met his poetry only in two to three years after the restoration of the autonomy of the Chechen-Ingush people.

Although he began to write quite early since the year, when he was twelve years old, the period of the maturation of his talent of the owls with time, when all the Ingush literature was in stagnation caused by the repression of Chechens and Ingush during the years of the personality of Stalin-individual poems by K. Chah-Kyiv, which were printed up to a year, did not bring them to the author of Glory.

The Ingush readers paid a little attention to the verses of an inconspicuous guy: at that time, poets such as Jemaldin Yandiev, Haji-bikar Mu-Titaliev and others shone in the literary arena. The young poet and his older brothers in Peru were indifferent to the work of the young poet. Other of them, even the patronist, was advised to him: “You would, a guy, better engaged in some other matter.

Throw these poems. You are not received from you, and but Kapiton Chakhkiev was not one of those weak-willed, cowardly plaster young men, who, according to the first formidable prerees of some little classic, cowardly expel from literature. He not only did not quit composing poetry, but more than that, with great zeal and great responsibility, he began to do his favorite business.

Having entered the radio, he according to Show Likes Ibragim Kostoev 25 Jan At Pm set to master the secrets of creativity. He will always write everywhere, because he cannot write. ” Capiton Chakhkiev was not shot down. He also wrote everywhere and always. His short, unfortunately, life was a vivid evidence that he had been told these lines of the Sending translation for a reason: until my brain will fall asleep forever and my tongue will not be petrified forever, my pen would stop, my songs will not subside.

And from the year when the Chechen-Ingush literature, after thirteen-year-old timeless, again received the right of a civilian, in the periodical press the poems of Ka-Piton Chakhkiev began to appear every now and then. These verses immediately won the love of readers with their depth and vitality, freshness of thought, goodness and brilliant decoration. They pleased like a sunny day after a long bad weather.

The poet’s poetry was transmitted on the radio, published on the pages of the newspaper “Serdalo”, in various collections “Homeland”, “Young Hearts”, “Repertoire Collection”. In Augo -ose of the year, the first separate collection of poems by Capiton Chakhkiev “Native Nyasara” under the pseudonym Ruslan Murtazov was published. IV What is significant Capiton Chakhkiev?First of all, it should be noted that K.

Chakhkiev immeasurably brought poetry to the life of the people and thereby strengthened the interest of readers to the work of writers, since literature closely related to the life of the people turned out to be able to put and solve important social issues. Secondly, and this must be especially highlighted, Kapiton Chakhkiev first spoke about the pain of his people-about the tragedy of the year in Ingush literature.

His novel in the verses “Salator” is a talented, very serious, still unsurpassed reflection of this topic. The third wonderful feature of K. Chakhkieva is in the fact that he was fundamentally improved by the Ingush verse. With the light hand of Zaurbek Malsagov, we had a belief that the Ingush language in a phonetic attitude characterizes mainly by the implication and unstressing of vowels, and the dol-Gota and the brevity of vowels played, they say, only a secondary role.

In reality, the situation is exactly the opposite: the symptoms and characteristic feature of the phonetics of the Ingush language is the longitude and brevity of the vowels, and the implication and non -ity of them play only a concomitant role in rhythm formation. In this regard, but only in this! Skillfully using the phonetic characteristics of his native language, K. Chakhkiev reached high melodies and complacency in his verses.

In addition, K. Chakhkiev was the first of the Ingush poets to understood and practically used another feature of the Ingush language, namely, that very often a combination of three or four consonants in pronunciation faces one half-gravity for the most part, a brief shock. The rhyme of the poet sounded in a new way, incorporating the milking of the poets of the ancients and new ones, whom K.

Chakhkiev knew Bleu. V Kapiton Chakhkiev was interesting not only as a writer, but also as a person, a citizen was too uncomfortable his life. During the years of the personality cult of Stalin, he was sentenced to twenty years of hard labor for being repressed with his named, he moved from the Tashkent region, where he was determined by the commandant’s office for the settlement, to the city of Maloyaroslavets, the Kaluzhsky region, to work and study in absentia at the Kaluga pedagogical institute.

Six years later, he was arrested in the year freed by amnesty. From the hard labor, K. Chakhkiev returned even more mature, sincerely strong, but seriously ill with a tube-coupler, which brought him to the grave. But despite the hardships experienced by him, moral shocks, despite the heavy bone, until the last days of his life, he retained vigor and cheerfulness and never stopped his boiling creative work.

He felt that the end of Show Likes Ibragim Kostoev 25 Jan at Pm was approaching - the disease was all ruthlessly undermining his strength - and he was in a hurry to write, write and write.

And this circumstance affected in a sense negatively on his work: he did not have time to finish the works properly, while others, not ending, threw it and took up a new job. But then those of them, which he, so to speak, brought to condition, amaze with the depth of thought and grace of form. His energy and performance conquered everyone who came to him.

My people are demanding from me, and I must obey them: after all, I am a servant of the people. ” Capiton Chakhkiev has long been gone among us. And now our civic duty is to worthlessly honor the memory of our writes. The best monument to him will be the publication of his literary heritage. And his legacy is rich and diverse. Shortly before his death, Kapiton Chakhkiev graduated from the major novel “The Killene Mountains”, telling about the pre-revolutionary life of the Ingush people and the maturation of revolutionary sentiments in it.

This is a first novel in Ingush literature. In addition, in his heritage there are several dozen poems except those that K. Chah-Kyiv managed to publish during his lifetime, the unfinished novel in the poems “Salad”, the unfinished play “Salikhat”, stories, Ingush folk tales, shifted to verses, critical articles. All this must be carefully studied and prepared for the publication.

The people should know their writer!