Biography of Tatlin

Bibliography Biography of Vladimir Tatlin Vladimir Tatlin was born on December 16 in Moscow in a family of railway worker. After the death of her mother, the family moved to Kharkov. At the age of 13 he ran away from home, lived with random earnings, swam Yung in Turkey, helped icon painters and theatrical decorators. He entered the Moscow School of Painting, Sculpture and Architecture, but a year later he was expelled "for poor performance and disapproving behavior." Then, over the years, he studied at the Penza Art College.

In the year, together with the Russian artisan exhibition, he visited Paris, speaking as a professional Bandurist musician. In X participated in exhibitions of such associations as “World of Art”, “Union of Youth”, “Diamond Valet” and “Donkey Tail”. In the year he visited the workshop of Pablo Picasso.

In the year he participated in the legendary last futuristic exhibition 0. Khlebnikov "Zangezi". B - - professor at the Kiev Art Institute. Among the students were later known: I. Karakis and others. In the years, Tatin was forced to work as a book artist and scenographer. He died in Moscow on May 31. The work of the Novodevichy cemetery is cremated and buried in the section of the Columbaria of Tatlin, Vladimir Tatin, not so much the painting and counter -reliefs that some art historians consider the continuation of the development of Pablo Picasso, but, to a greater extent, projects that were intended for implementation, but did not reach production, which continue to appear in the form of reconstructions and sketches still “Monument to the III-Mo International”, “Lettlin”, “Normal Odidem”.

The confrontation of Vladimir Tatlin is known to the concepts of Casimir Malevich, who insisted on form and color, while Tatlin proposed “putting the eyes under the control of touch”, connected art with life. There is even a historical joke about the case when Tatlin knocked out a chair from under Malevich, offering him to sit on geometry and color. The works of V.

Tatlin inspired German Dadaist artists who understood them as a revolution in art. The photograph of George Gros and John Hurtfield is known, holding a poster with the inscription “Art died - long live the machine art of Tatlin! The utopian potential of constructivism, the artist participating in the industrial revolution, was fully implemented by V. Tatlin when creating a project of aircraft, called “Letatlin”.

The forms of this project, vaguely reminiscent of the drawings of Leonardo da Vinci, reproduced in the 20th century, present constructivism as an unattainable dream of organic unity of human and machine, cm for constructivism art. There were also several attempts to make real tests of Letatlin as aircraft of the future. The tests did not take place for various reasons.

The only lifetime personal exhibition of Vladimir Tatlin took place in the year. In the future, when, all the “formal” directions were eradicated by the victorious ideology of socialist realism, Tatlin collaborated with the theater and returned to painting. The legacy of V. Tatlin was one of the symbols of the Russian avant -garde, the well -known works of the artist Sailor Self -portrait, the Russian Museum, Petersburg “Monument to the III Communist International” or “Tatlin Tower” - “Letatlin”, the flying apparatus of the ornitopter, - the Aviation History Museum, Monino, the Moscow Region in the open book, - bibliography of Punin N.

Punin N. Monument to the III International. Punin N. Tatlin against cubism. Zsadova L. When writing this article, materials of the following sites were used: ru. Vladimir Tatlin: Pictures of the artist.