Biography in Tatar

Biography Source: Hadi Taktash: Biobibliogr. From an early age, he was fond of reading, willingly composed songs and ditties. He receives the first lessons at home from his parents, and then continues to study at the Mekteb to the school of his native village. Then it is given it in a madrassah on a Pesle 30 km from the village of Syrkydy, where the educational process was organized in a new way and, along with religious, secular disciplines were studied.

Hadi studies there from year to end of the year. While studying at the madrasah, he gets acquainted with the magazines and newspapers of the Turkic world “Vakyt” “Time”, “Ildyz” “Zvezda”, “Yalt-Iolt”, is fond of the composition of poems. Unfortunately, poems written in young years have not survived to this day. After the madrasah, Hadi spends a year in his village. The deterioration of the financial situation of a large family, associated with the outbreak of the first imperialist war, forced the father of the family - Khairulla Abe - to let their sons to make money in the distant lands.

So the thirteen-year-old Hadi, along with a relative-tradel, is sent to Central Asia, to the city of Kattacacan. At first, he lives in the house of a relative-trader and works as an assistant at the shop. Then he moves to Bukhara.

There he works as a student of the clerk in the manufactory store owned by city merchants. In his free time, Taktash is actively involved in the cultural life of city youth, willingly take part in amateur concerts and performances. He is a participant in the political movement, whose purpose was the overthrow of the Bukhara emir. In the periodical press, his small articles were published, covering events in Bukhara.

This is the first poem of Hadi Taktash, published in the press. The dreams of a teenager going to work with hope to financially help his parents are not justified. Soon after the stormy revolutions of the year, in the fall of the year, Hadi returns to his native village of Syrkydy. For a year and a half spent there, he works as a teacher in primary school, the head of the library, conducts cultural and educational work among the peasant population.

The insurmountable interest in literary creativity and the desire to fill in the gaps in their knowledge make the young poet leave his native village again: in the fall of the year he leaves for Orenburg. Tagirov, S. Kamal, publishes his articles and poems. In connection with a deterioration in living conditions, on the advice of friends, in the year Hadi Taktash moves to Tashkent.

There he works as the executive secretary of the Beham Yorti magazine “House of Knowledge” and simultaneously teaches literature at the Communist University, at the Red Army School. The Tashkent period of Taktash is characterized by an even more active creative activity and the acquisition of a kind of creative person of the poet. In the summer of the year, Hadi Taktash moves to Moscow.

After a few months spent there, in the fall of the same year, he arrives in Kazan, where he remains until the end of his life. At the premiere of the play, the author himself plays the role of the idea. In the year, he again returns to the editorial office of Chayan magazine and works as an executive secretary until the end of his life. Although in the works created in Kazan during the years, the motives of the past romantic rebellion continue to be present, starting from the end of the year in the work of Taktash, the trends of a realistic description of life are strengthened, which leads to new creative discoveries.

The poet’s popularity created in connection with the death of V. is growing amazingly rapid pace and soon he becomes a recognized tribune poet, singing thoughts and feelings, dreams and aspirations of the people. A large-scale lyric-epic work, which is thought out by the author, illuminating the complex social and moral problems of that time, remains unfinished.

Unfortunately, the author manages to create only three letters from the conceived ten. Hadi Taktash was primarily a recognized poet. But in his rich creative heritage, works of other genres occupy a significant place. At one time, these dramas were staged on the stage of the Tatar Theater and was successful. Hadi Khadi Taktash also tries his pen in the field of film dramaturgy, which was considered the most popular form of art.

In his archive, the manuscripts of the Kamil film scores were preserved, which are evidence of his work in this direction. Many years of work in the editorial offices of newspapers and magazines allows the author to prove himself a talented journalist. On the pages of the periodic press, he publishes dozens of journalistic articles, essays and feuilletons dedicated to various relevant topics of his time.

He tries himself in the genre of the story, and in the field of literary criticism. During the years in the Tatar book publishing house a three -volume collected works of the poet were published, which includes works of different genres. Hadi Taktash opened a new page in the history of Tatar literature, in his works artistically describing the years of the revolution, the spiritual beauty of people and the harsh romance of that time.

Hadi Taktash died on December 8 in Kazan from typhoid. He was buried in a cemetery located on the territory of the Central Park of Culture and Rest named after M.